Science is fundamentally an artistic expression. Although most people would think of “science” and “art” as two different concepts independent of each other and somewhat in contradiction of each other, the two concepts are perfectly intertwined in both essence and effect. The two are perhaps different tools used to interact with existence and the way life lives around itself in a surreal explosion that makes everything everything. But science and art are both escapades of the mind in striving to be a manipulative factor in the way air molecules bump into smoke molecules that come from cigarettes perfectly painted to be the least painful in the way they bump with the mouths of sad poets and revolutionary discoverers who share a love for the musical thump of the word “bump”. Science is art. Both thrive from the fertility of “interperation” and the seduction of “application.” The way art can turn the “strict logic” of science into the “absence of logic” in art allows an individual to bend and stretch his or her mind and the minds of others into the abstract. Hearing, seeing, feeling, smelling, tasting, and “other” senses are all manipulated in a way that takes their mundane organic existence into a state of mind far from the boundaries of their physicality. Poetry, music, sculpture, writing, photography, film, theatre, fashion design, architecture, are just examples of some media in which the juggling of the mind takes place. However, a medium, more precisely, is infinite. It is everything. This section tries to take a closer look at how art shapes identity as opposed to art being merely a reflection of something. The people, trends, experiences, meanings, and powers of stretching the brain are documented here. This is another step in our pursuit of making shakomakoNET a living monument to everything Iraqi.